Main Street Vinyl

Did you know that there's a tunnel under Ocean Blvd is the ninth studio album from acclaimed singer-songwriter Lana Del Rey, comprising 16 tracks and interludes with features including Father John Misty, Tommy Genesis, Jon Batiste, Bleachers and more. It follows the prolific artist's 2021 albums Chemtrails Over The Country Club and Blue Banisters. Limited Edition Indie Exclusive Light Green 180-gram 2 LP with alternate cover art.

The time is now for Caroline Rose. Their last record, Superstar, was released on March 6, 2020. The record was critically acclaimed and positioned Rose as the next big breakthrough in music. Needless to say, the resulting pandemic grinded all momentum to a halt while at the same time throwing Rose’s personal life into turmoil. The result of that turmoil is the fuel that fired the creation of their latest album, The Art of Forgetting. With The Art of Forgetting, Rose took on the dual role of writer and producer. The album encapsulates the feeling of experiencing recent memories, having them turn into old ones and then ultimately forgetting those memories altogether. There is a romantic nature within the sonic landscape of this record. Tape effects and loops emulate the feeling of aging while the juxtaposition of modern acoustic-electronic textures, like lo-fi tape next to hi-fi granular synths result in some of their most mature and honest work to date.

Fall Out Boy's new album, “So Much (For) Stardust”

If credibility were currency, FAKE NAMES’ wealth would be off the charts. Composed of Brian Baker (Minor Threat, Bad Religion, Dag Nasty), Michael Hampton (S.O.A., Embrace), Dennis Lyxzén (Refused, INVSN, The [International] Noise Conspiracy), Johnny Temple (Girls Against Boys, Soulside) and the newest member Brendan Canty (Fugazi, Rites of Spring), the band is a veritable post-hardcore dream team.

However instead of rehashing the past, Expendables is a reinvention that sees the band dialing back the distortion and leaning into the melodies. The result pairs their unparalleled pedigree with a pop sensibility that’s slightly unexpected and wholly satisfying. “For our
last record [2019’s FAKE NAMES]the general influences were 70’s U.K. punk and power-pop; but it wound up with a little classic rock vibe as well, like the Vibrators meets Aerosmith. We never saw that coming!” , Baker explains.

For Expendables the band enlisted producer Adam “Atom” Greenspan (IDLES, Yeah Yeah Yeahs). Baker explains, “The pop influences are a little more out front on this one and the production really helps it shine. It sounds more direct, more urgent.” Expendables is the latest exchange in a musical conversation that spans four decades. Baker aptly refers to the lineup of FAKE NAMES as a “mutual admiration society” and says that once the five members got in the same room together, it felt as if they had already been in the band together for years.

Last year BABYMETAL were “sealed” from the world after a successful 10-year journey. Earlier this year, THE OTHER ONE restoration project began to recover the BABYMETAL we never knew existed within a virtual world called the METALVERSE. The concept album releasing March 24, 2023 reveals the other side of the BABYMETAL story that no one knew existed. A total of 10 songs have been discovered within THE OTHER ONE restoration project, in which each song represents each theme of the 10 parallel worlds that seem to exist. Full length audio of each of the 10 songs will finally be revealed when fans get their hands on the album.

Dear Reader, About a year or two ago, Naomi Yang (of Galaxie 500) reached out to me after she rediscovered a video that we had made together in 2011, during the making of Tramp, just before the album’s release. It was for the song Serpents. The timing was uncanny, approaching the anniversary of Tramp. Thinking about my time in New York while in the bubble of Los Angeles and my home. Thinking about how restless I was, and now settled down and stable. Thinking about how Aaron Dessner took a chance on me after I messaged him with a fury of demos. He could see through the hiss and crappy vocals on my GarageBand demos, and that I had something to say. He gave me the confidence to be loud and to scream my rage and feel founded and justified in my own pain. He gave me more tools to find catharsis in my work. I have carried that with me ever since. 

Being on the west coast the last two years, I look back on my community in New York and am forever grateful. I had so many friends and peers step up and help me unfold these demos. The album that it became. Doug Keith and Ben Lord from my original touring band, Logan Cole, Peter Silberman from The Antlers, Jessica Larrabee from She Keeps Bees, Thomas Bartlett of Doveman, Rob Moose of yMusic, Jenn Wasner of Wye Oak, Julianna Barwick, Zach Condon of Beirut, Matt Barrick (of the Walkmen), Clarice Jensen, Ben Lanz, Bryce Dessner, and Bryan Devendorf (of The National). 

I had almost forgotten about a song titled "This Is Too Right" that didn’t make it onto the record. It was one of the first guitar “riffs” I had ever written and Jenn Wasner sang on it with me. A song about not believing how good I had it, like the other shoe was about to drop. I hope everyone that helped make this record and supported it, feel the love and admiration that I continue to hold for all of you. I hope that in sharing this record again, with a new video and this forgotten track, that new listeners are brought into this album and find meaning and relevance in it today. All of the musicians on this album helped me come to life and perform in ways I never had before. 

May these songs find you well. Sending all my love, Sharon.

LP in gatefold sleeve, with two posters featuring design by Ian Emes and Gerald Scarfe. Cover design by Aubrey Powell/Hipgnosis and Peter Curzon/Storm Studios. Featuring original 1973 line drawn cover artwork by George Hardie.

Downtown Records present, The Bird Song Project "For The Birds: The Birdsong Project". An art-filled, 20LP box set including over 200 tracks of original music and bird-related poetry. Proceeds from the sale of this collection and supporting events will be dedicated to the protection of birds and the habitats they need, today, tomorrow, and for all our futures. Specifically it will go to the National Audubon Society.

The Birdsong Project is a community dedicated to the protection of bird life, and to the celebration of the joy and mysteries of birdsong. We believe that birds - no matter feather or flock - are precious and inspiring and fundamental to our world. That a world without birds would be a world without freedom and flight and song. We believe birds matter, are endangered and need our help. 

4 LP Super Deluxe Collector’s Boxset featuring 40 new acoustic and reimagined recordings from the U2 catalog, produced and compiled by The Edge and arranged into individual band member volumes. Pressed on 180-gram vinyl and housed in a stunning mat laminated slipcase with bespoke debossing, this limited and numbered boxset includes new lyrics by Bono, exclusive photos by Anton Corbijn and liner notes from The Edge.

One of the most iconic and influential albums ever, Pink Floyd’s The Dark Side Of The Moon celebrates its 50th Anniversary.

The album was partly developed during live performances, and the band premiered an early version of the suite at London’s Rainbow Theatre several months before recording began. ‘The Dark Side Of The Moon’ is the eighth studio album by Pink Floyd, originally released in March 1973.  The new material was recorded in 1972 and 1973 at EMI Studios (now Abbey Road Studios) in London. The iconic sleeve, which depicts a prism spectrum, was designed by Storm Thorgerson of Hipgnosis and drawn by George Hardie. ‘The Dark Side Of The Moon’ has sold over 50 million copies worldwide.

The new deluxe box set includes CD and gatefold vinyl of the newly remastered studio album and Blu-Ray + DVD audio featuring the original 5.1 mix and remastered stereo versions.  The set also includes additional new Blu-ray disc of Atmos mix plus CD and LP of ‘The Dark Side Of The Moon - Live At Wembley Empire Pool, London, 1974’.