Angel Dream is a special reimagining of the album She’s The One to celebrate the 25th anniversary of its original release. This also brings to a close the celebration of Tom Petty’s masterpiece Wildflowers, as most of the songs on this album were recorded during the same time period. She’s The One included some songs that were left off the original Wildflowers album, recently included in the Wildflowers & All The Rest re-issue. To take the place of those songs, four previously unreleased songs have been added here – two Petty originals (“105 Degrees” and “One of Life’s Little Mysteries”), a cover of JJ Cale’s “Thirteen Days”, and the instrumental “French Disconnection”. An extended version of “Supernatural Radio” is also included. The album has been remixed & remastered and brand new cover art commissioned – emphasizing that this is a Tom Petty & The Heartbreakers album, rather than a soundtrack album.
The Go! Team return with Get Up Sequence Part One featuring the singles 'Cookie Scene', 'World Remember Me Now' and 'Pow'. On Get Up Sequence Part One, Ian, Ninja, Nia, Simone, Sam and Adam have created a musical world distinctly of their own making. A place where routine is outlawed and perfection is the enemy. Where Ennio Morricone meets the Monkees armed with flutes, glockenspiels, steel drums and a badass analogue attitude. We're talking widescreen, four-track, channel hopping sounds that are instantly recognizable.
A definitive new peak in the recorded continuum of prolific producer/percussionist Carlos Niño, elegantly presented in his unique “Spiritual, Improvisational, Space Collage” style. Featuring contributions from more than a dozen exciting voices from the creative music constellation of Los Angeles.
Primal Scream frontman BobbyGillespie has teamed up with solo artist and Savages vocalist Jehnny Beth to release the collaborative album Utopian Ashes, due July 2, 2021 via Third Man Records. The album is heralded by lead single "Remember We Were Lovers" alongside an official video by Douglas Hart (The Horrors, Paul Weller).
This is the tenth anniversary edition of Frank Turner's fourth album 'England Keep My Bones'. This is the album that saw Frank step up from underground, cult status to mainstream success. It features the hit singles 'Peggy Sang The Blues', 'If Ever I Stray' and 'I Still Believe' and 'Wessex Boy' both of which Frank performed at the Olympic Opening Ceremony in 2012. At the end of the album campaign in April 2012 Frank headlined a sold out Wembley Arena. This tenth anniversary edition includes beautiful new artwork.
Six time GRAMMY® Award-winner, and 34-time nominee, Vince Mendoza is considered the foremost arranger of his generation, working with legends such as Björk, Elvis Costello, Sting, and Joni Mitchell. In a new star-studded release, Mendoza returns to his roots as a composer and conductor with a remarkable collaboration—highlighting the Czech National Symphony Orchestra, soprano Julia Bullock, guest artists Joshua Redman,Antonio Sanchez, Derrick Hodge, and The Roots' premier MC Black Thought—for his forthcoming album, Freedom Over Everything, on BMG’s Modern Recordings label imprint.
2021 release. "Better Mistakes, my sophomore album, is by far the most challenging yet fulfilling project I have ever worked on. I wrote, recorded, re-wrote, re-recorded and then repeated that process in order to deliver an album that truly reflects who I am as a singer, songwriter and most importantly as an artist. I want to give listeners a journey of pop paradise fused with elements of rock and hip-hop. It's important to me that my music continues to recognize ongoing themes of vulnerability, the cycle of self-destruction & self-realization, and female empowerment."
Vinyl LP pressing. After receiving widespread critical acclaim, singers, songwriters and producers Jeremy Zucker and Chelsea Cutler unveil their anxiously awaited new EP, brent ii. The five-song brent ii collection hinges on the inimitable collaboration between Jeremy and Chelsea.
Vinyl LP pressing Marina Allen glides on angelic highs, surfing the husky deep; she is one of the great new voices of her generation. Writing songs that carry notes from other realms; these are kitchen table tales about love and fear, the capturing of the wild heart, sketching the breaking of dawn, bringing real life back to life. Every song on this debut album 'Candlepower' is a tick box of influences, asides, inspirations, quickfire theories, storylines and melodic progressions that galvanise a chemical reaction for each dramatic scene that unfolds. One listen to opening track 'Oh, Louise' underlines the range of Marina's talent, it's a filmic play on words, with an arrangement that's like a Kate Bush dream sequence. It's the perfect foil for the plaintive strum of 'Sleeper Train', a haunting, folky paean fit for Judee Sill brought up to date with some echoey electric guitar.
Steve Marriner, a versatile and highly skilled musician, songwriter and producer. Winner of nine Maple Blues Awards, two Canadian Indie Music, two JUNOs and one American Blues Music awards as a member of MonkeyJunk. Steve has performed with some of Canada's top blues and rock artists such as Colin James, Sass Jordan and Matt Andersen and Harry Manx under the banner 'Manx Marriner Mainline'
THE REPRISE YEARS (1968-1971) features newly remastered versions of Joni Mitchell’s first four studio albums - Song To A Seagull (1968), Clouds (1969), Ladies Of The Canyon (1970), and Blue (1971). In the case of Song To A Seagull, the original mix has been recently updated by Mitchell and mixer Matt Lee. The cover art for THE REPRISE YEARS (1968-1971) features a previously unseen self-portrait Mitchell drew during the time period and includes an essay by Grammy winning singer-songwriter Brandi Carlile. The collection is presented on four 180 gram LPs in premium packaging and is a limited edition of 10,000.
Vinyl LP pressing. One of the most exciting musical talents to come out of the UK, Laura Mvula returns with highly anticipated studio album, Pink Noise. This album is an example of her newly found light, still reflecting her distinctive signature sound - her inventive, atmospheric mix of R&B, jazz, classical, and pop - but also showing the progression of an artist who has come into her own. Pink Noise is the blend of neo-soul meets art pop in a new cosmic realm filled with confessional lyricism and compelling synth pop."This is the album I always wanted make", says Laura Mvula, "Every corner is made warm with sunset tones of the 80s. I was born in 1986. I came out of the womb wearing shoulder pads. I absorbed the dynamism of the 80s aesthetic right from my first moments on this planet. Wrestling with identity seems to be one of the rites of passage of the established artist. Making Pink Noise felt like the most violent of emotional wrestling matches. It took 3 years of waiting and waiting and fighting and dying and nothingness and then finally an explosion of sound. As if it was always here, this record is my most honest and unapologetic flying of the freedom flag. In my adult years, I had forgotten how important dance was to me as a vital tool of my creative expression. I brought it back, just for me, so I could find my delight in dance again. And now I can't stop dancing."
Rock ‘n’ roll is often hard to define, or even to find, in these fractured musical times. But to paraphrase an old saying, you know it when you hear it.
And you always hear it with The Wallflowers. For the past 30 years, the Jakob Dylan-led act has stood as one of rock’s most dynamic and purposeful bands – a unit dedicated to and continually honing a sound that meshes timeless songwriting and storytelling with a hard-hitting and decidedly modern musical attack. That signature style has been present through the decades, baked into the grooves of smash hits like 1996’s Bringing Down the Horse as well as more recent and exploratory fare like 2012’s Glad All Over.
But while it’s been nine long years since we’ve heard from the group with whom he first made his mark, the Wallflowers are silent no more. And Dylan always knew they’d return. “The Wallflowers is much of my life’s work,” he says simply. That life’s work continues with Exit Wounds, the brand-new Wallflowers studio offering. The collection marks the first new Wallflowers material since Glad All Over.
Exit Wounds, which, true to its title, is an ode to people – individual and collective – that have, to put it mildly, been through some stuff.
“I think everybody – no matter what side of the aisle you’re on – wherever we’re going to next, we're all taking a lot of exit wounds with us,” Dylan says. “Nobody is the same as they were four years ago. That, to me, is what Exit Wounds signifies. And it's not meant to be negative at all. It just means that wherever you’re headed, even if it’s to a better place, you leave people and things behind, and you think about those people and those things and you carry them with you. Those are your exit wounds. And right now, we’re all swimming in them.”
This LP finally brings a Clipping fan-favorite, 2016’s Wriggle, onto vinyl in an improved, expanded version that features new art, previously unreleased remixes, and a track that’s exclusive to the vinyl format.
The original, digital-only Wriggle EP was six tracks that weren’t finished in time to make it onto the group’s 2014 Sub Pop debut, CLPPNG. For “Shooter,” Clipping recorded themselves firing fifteen dierent guns, the sounds of which exclusively constituted the beat’s drums, augmented only by a synthesized tone-row. The verses referenced the well-worn technique of “hashtag rap,” but instead of using it to boast about the rapper’s personal wealth and masculine prowess, Clipping put forth imagistic narratives of three violent encounters. True to much of the group’s music, “Shooter” was an attempt to reframe a familiar style and test the limits of its formal capabilities. “Hot Fuck No Love” contains what might be the most explicit verse to date from Clipping’s favorite New Jersey rapper Cakes Da Killa. The EP’s title track, “Wriggle,” was built around a sample of the influential power-electronics song “Wriggle Like a Fucking Eel” by Whitehouse, transforming William Bennett’s torturous imperative into a instructional dance-floor banger. “Wriggle” and “Shooter” have become classic Clipping tracks and staples of their live show.
With this vinyl edition, Clipping fans old and new - and there are many new fans thanks to their breakout 2020 album, Visions of Bodies Being Burned, and Daveed Diggs’ thriving acting career - get the vinyl version of Wriggle they’ve been clamoring for.
With her musical project Half Waif, Nandi Rose dives deep into the waters of artistic expression by layering evocative vocals and synths to create a powerful form of pop music. On Mythopoetics, Rose ex- plores a full spectrum of sounds that sparkle with memorable hooks, otherworldly production and uplifting grooves. “This is the record I’ve been trying to make for 10 years,” Rose says.
Previous albums The Caretaker (2020) and Lavender (2018) garnered acclaim for their compelling journeys through solitude, desire and the search for independence. Half Waif declares a new chapter on Mytho- poetics, a collection of 12 new songs – mythical stories that transcend time, each sung with a glorious contralto wrapped up in synths and electronic percussion, and her lyrical piano serving as the backbone. It is an essential reminder that we have the power to shape the stories we tell and the myths we make of our lives. This is music that you feel.
Oliver Wood is a testament to slow and steady wins the race. Born and raised in Boulder, Colorado, he relocated to Atlanta in his early twenties to pursue a career in music. Gaining a reputation over a ten year period as one of the premier working musicians on the local Georgia music scene, he was invited to join blues legend Tinsley Ellis’ road band. From there, Oliver would form his own group, King Johnson, who’d build a loyal regional following. When opening for his brother Chris’ band, Medeski Martin & Wood, he was invited to sit in, which instantly reminded them of the deep musical bond they shared. Soon thereafter, The Wood Brothers were born. They’ve since gone on to release seven studio albums, perform high profile shows from Red Rocks to Bonnaroo and earn a Grammy Award-nomination.
Until the release of “Soul Of This Town” and “The Battle Is Over," in 2020, Oliver had never stepped out under his own name as a solo artist. 'Always Smilin'' is a strong opening statement from Oliver as a solo artist, and one that sets him apart as an accomplished singer and songwriter outside of his day job with The Wood Brothers.
Almost 50 years after the sessions that would make them an “accidental Texas supergroup” (Rolling Stone), The Flatlanders have returned with Treasure of Love, their first new album in more than a decade. Completed during COVID-19 lockdowns with the help of longtime friend and collaborator Lloyd Maines, the record finds the iconic trio of Joe Ely, Jimmie Dale Gilmore, and Butch Hancock in classic form, serving up a rollicking collection of twang-fueled, harmony-laden performances full of wry humor and raw heartbreak. While a few songs here are never-before-heard originals, the vast majority of the tracklist consists of tunes the band picked up during their half-century together, some stretching as far back as the group’s earliest performances in the honkytonks around Lubbock, TX, where you might have spotted Willie Nelson or Townes Van Zandt in the audience.
Largely ignored by press and radio, the initial incarnation of The Flatlanders lasted only a few years before disbanding in 1973. In the decades to come, however, Ely, Gilmore, and Hancock would all go on to considerable success as solo artists, and with the 1990 reissue of their long lost debut, The Flatlanders finally received their due. Critics hailed them as visionaries and craftsmen of the highest caliber (The New York Times dubbed their first LP a “founding document of the alternative country movement”), and the trio would spend the next 30 years collaborating and touring on and off again to widespread acclaim.
1 CD, 1 Limited Edition Poster (2 versions), 1 Photo Book (2 versions), 2 Lyric Cards, 1 Photo Card (1 of 8 each random), 1 Instant Photo Card, 1 Graphic Sticker (2 versions), 1 Folded Message Card (1 of 7 each random), 1 Photo Stand (2 versions). All sales count towards the Korean Hanteo and Gaon charts. Sales will not count toward the US Billboardcharts.
Originally conceived as a medium for Chicago-based multi-media artist/activist Damon Locks’s sample-based sound collage work, Black Monument Ensemble (BME) has evolved from a solo mission into a vibrant collective of artists, musicians, singers, and dancers making work with common goals of joy, compassion, and intention. A genuinely multi-generational collective, ages of BME members range from 9 to 52 years old; members include instrumentalists and fellow IARC recording artists Angel Bat Dawid and Ben LaMar Gay. Their debut album Where Future Unfolds was released in 2019 by International Anthem glowing praise; landing at #3 on Bandcamp’s “Best Albums of the Year,” #25 on WIRE Magazine’s “Best Albums of 2019,” and being repeatedly dubbed “The Best Album of 2019” by BBC/Worldwide radio titan Gilles Peterson.
Locks & BME’s new album NOW was created in the final throes of Summer 2020, following months of pandemic-induced fear & isolation, the explosion of social unrest, struggle & violence in the streets, and as the certain presence of a new reality had fully settled in. Set up safely in the garden behind Chicago’s Experimental Sound Studio, the music was recorded in only a few takes, capturing the first times members of BME had ever played or sang the tunes. For Locks, the impetus was more about getting together to commune and make art than it was about producing an album. In his words: “It was about offering a new thought. It was about resisting the darkness. It was about expressing possibility. It was about asking the question, ‘Since the future has unfolded and taken a new and dangerous shape... what happens NOW?’”
Celebrating 20 years of the Academy Award winning film by Cameron Crowe, the Grammy® winning Almost Famous soundtrack is reissued as a deluxe 2CD with 35 songs from the film including Stillwater, Led Zeppelin, Fleetwood Mac, and many more. Unreleased songs: “Tiny Dancer (Almost Famous Version)” with Elton John & cast and the unique mix & edit for The Who’s “Amazing Journey / Sparks (Almost Famous Version).” Newly expanded artwork includes unreleased photos and an introduction by Cameron Crowe.
MARCO VEZZOSO and ALESSANDRO COLLINA, the jazz duo that has conquered the countries of the Rising Sun!The disc collects 10 of the most beautiful songs of Italian music reinterpreted in a refined instrumental version for trumpet, piano, and percussion. The artists offer a skilful reinterpretation of unforgettable pieces, creating a generational bridge between pop music and jazz.This live version is also a tribute to the artistic partnership between Vezzoso and Collina, which began in Japan and reached China via Cambodia, Indonesia, and Malaysia.In the 'Italian Spirit live' project we decided to invite the percussionist Andrea Marchesini. Andrea is a highly talented and experienced musician who, like us, loves contamination between genres. It was therefore easy for us to integrate Andrea's artistic vein, who adapted very well to our playing. Indeed, he did much more, enriching the pieces with rhythmic details, sometimes almost melodic, without ever being invasive.Since their first musical meeting in 2014, the duo formed by the Piedmontese trumpeter Marco Vezzoso (who since 2012 lives and teaches at the National Conservatory of Nice) and the jazz pianist Alessandro Collina has come a long way. They have 5 albums, numerous concerts between France and Italy and several international tours. In 2015 their first tour in Japan, "Live in Osaka" was recorded and released from a Japanese label. In 2017, a long summer tour takes them to perform in Cambodia, Indonesia and again in Japan, with a closing concert in Tokyo. In 2018 a new tour in Indonesia and Malaysia and a series of concerts in the Czech Republic. In 2019 2 tours in China where they represented Italy at the first edition of the European jazz festival in Guangzhou and a tour in Norway, followed by one in Turkey. The duo ranges from a repertoire of great classics of past and contemporary Italian music to revive emotions in Italians far from their homeland. The interplay and harmony between the musicians, creates an intense musical continuum with a strong emotional impact, which guides the audience on a musical journey within the universe of the duo turned trio.
In front of 1.5 million people, one of the biggest free concerts in history, The Rolling Stones' performance on February 18, 2006, in Rio de Janeiro was a historic event. Fully restored and remastered from their A Bigger Bang World Tour, this includes 4 unreleased tracks: "Tumbling Dice," "Oh No, Not You Again," "This Place Is Empty," and "Sympathy For The Devil." Entire concert on SD Blu-Ray and 2 CDs. 8-panel Digi-Pak. 16-page book.
Three CDs. Little Steven and the Disciples of Soul filmed the final night of their Summer of Sorcery tour in November 2019 at the Beacon Theatre in New York City, NY. The concert audio and bonus tracks are available here on this set.
The infamous MAYHEM return this year with an outstanding EP called "Atavistic Black Disorder / Kommando" with additional material from the "Daemon" session, including a homage to bands that laid the foundation for what was to come! The EP will be released on July 9th.
The lords of darkness have dug deep and reflected their influences to create a musical odyssey that shows them multifaceted in several ways.
For this goal, cover versions of bands like DISCHARGE, DEAD KENNEDYS, RUDIMENTARY PENI and RAMONES were chosen, which in typical MAYHEM manner impressively fit into their bursting and darkened sound.
The band also recruited BILLY MESSIAH and MANIAC, who took over vocal performances on two songs!
In addition to the named cover versions, a previously unreleased track called "Voces Ab Alta" is featured on the EP, which continues the musical journey alongside "Black Glass Communion" and "Everlasting Dying Flame", which were used as bonus tracks for the 2019 album "Daemon".
The EP thus closes the capital, which was opened with the release of "Daemon" back in 2019 and illuminates the band once again in typical unusual and surprising-sounding way.
The visual concept was once again handled by Italian designer Daniele Valeriani (Lucifer's Child, Dark Funeral) who already took care of the artwork for their previous long player "Daemon".
The band comments:
"I always had some punk influences," says Attila. "I guess it comes from my childhood when we were constantly looking for more extreme music. That's how I discovered Dead Kennedys, GBH, The Exploited, Sex Pistols, U.K. Subs, Discharge, Rudimentary Peni and so on, in the early 80's, alongside heavy metal. But then I discovered Venom, that was a game changer!"
Century Media - ATAVISTIC BLACK DISORDER / KOMMANDO - EP / MAYHEM
Irish rock band Inhaler’s debut album ‘It Won’t Always Be Like This’ is a record that sees Elijah Hewson, Josh Jenkinson, Robert Keating and Ryan McMahon turn their early promise into something special - an album teeming with expansive indie-rock grooves and soaring anthems. Includes the single ‘Cheer Up Baby’, a swooping, epic singalong alongside newly recorded versions of early fan favorites ‘My Honest Face’ and title track ‘It Won’t Always Be Like This.’
Lu's Jukebox is a six-volume series of mostly full-band performances recorded live at Ray Kennedy's Room & Board Studio in Nashville, TN. Each volume features a themed set of songs by other artists curated by the multi-Grammy award winner, Lucinda Williams. The series aired as ticketed shows through Mandolin in late 2020 with a portion of ticket sales benefitting independent music venues struggling to get through the pandemic.
Like thousands of artists, Williams cut her teeth and developed her craft by playing in small, medium, and large clubs throughout the country, and the world. These venues are vital to the development of artists and their music. Williams has never forgotten her roots, and often performs special shows in some of her favorite halls.
This year, the Lu's Jukebox Series will be made widely available on Vinyl and CD. Volume 1, Running Down A Dream: A Tribute to Tom Petty, was released on April 16, 2021, and featured songs from the namesake's celebrated career.
Lu's Jukebox Vol. 2 - Southern Soul: From Memphis To Muscle Shoals will be released on July 9, 2021, and features a collection of classics from Ann Peebles to Al Green to Otis Redding and more.
Sob Rock is the new album from John Mayer, and this collection marks the artist’s eight full length studio album. Sob Rock is produced by John Mayer and Don Was, and most of the album was recorded during the global pandemic of 2020- 2021. The album was launched with the single and video, “Last Train Home.”
John Mayer emerged in 2001 with his debut album, Room For Squares. He has sold over 20 million albums worldwide, including three # 1 debuts on the Billboard Top 200 with the triple platinum Heavier Things in 2003, the double platinum Battle Studies in 2009, and the gold certified Born and Raised in 2012. His 2017 album, The Search For Everything, debuted at # 2 on the Billboard Top 200, and has also been certified gold. Additionally, he has earned 7 Grammy® Awards.
Debut album from Cleveland born, NYC-based multi-instrumentalist, producer, singer-songwriter, and artist Cautious Clay. Deadpan Love, which includes previously released singles “Roots,” “Dying In The Subtlety,” and “Agreeable,” warps influences from R&B, Hip Hop and Indie Pop in Cautious’ trademark sophisticated songwriting and jazz- and blues-inflected instrumentation. “Deadpan Love explores the ways I cope with the worst of what humanity has to offer,” says Cautious. “It’s about opposites—having an outer layer that’s tougher, this “deadpan” state, and an inner layer of compassion, where you’re open to being there for the people you care about. It’s this warring compassion and cynicism that has empowered me to express myself through this medium.”
200 km/h in the Wrong Lane, also titled t.A.T.u. in Japan, is the second, and first English-language, studio album by Russian music duo t.A.T.u., released on 10 December 2002, by Interscope Records. Coke Bottle Clear LP
The explosion of indie Hip Hop labels in the early 90s resulted in an ongoing snowball effect that started to shift the narrative around an artist’s need to sign to a major label. Coincidentally, quality home recording equipment was also becoming more easily accessible and, with the rising popularity of CD-R technology, this allowed artists to write, record, and manufacture their own albums right at home.
Appleseed was a highly celebrated and influential release from that era, cementing Aesop Rock as a new face whose talent could not be denied. The album explores creative concepts with inventive writing and stripped-down yet melodic and melancholic production. Six out of the eight songs were produced byAesop Rock, with OmegaOne producing “Sick Friend” and longtime collaborator Blockhead handling “1000 Deaths”, and the project’s sole guest lyricist was Doseone.
The DIY process was followed in every aspect, as Aesop himself recalls, “I did the Appleseed hand style while working at Tepper Galleries in NYC. The cover was made at Kinko’s. The first Appleseed CD’s were CD-R’s I duped at home and sold from my backpack at an MF DOOM show at Brownies, which was right below my apartment at the time. I continued to sell hand to hand inNY, while Blockhead started fielding some mail orders from a young internet. People would send us cash or a check, and he’d cut the covers out and mail them off.“
The two of them were able to move a couple thousand CDs that way before turning their attention to newer projects, particularly Float in Aesop’s case. As a result, Appleseed went out of print for many years before resurfacing as a merch item on tour. However, in all that time it was only available on CD, directly from Aesop.
Finally, 21 years after its debut, Appleseed officially returns, now available on vinyl for the first time!
Acid Dad is an American alternative-rock band composed of singer-guitarists, Vaughn Hunt and Sean Fahey, and drummer, Trevor Mustoe. Vaughn first started recording the band in his Bushwick, NY basement releasing singles “Brain Body” and their first EP “Let’s Plan a Robbery.” Appearing live in the New York City rock scene in 2016, Acid Dad quickly moved to a world stage with their self-titled debut album, released by Greenway Records in 2018.
During 2020, the band spent their time building a new studio space in Queens, NY, while continuing to independently produce all their own music, art and even building their own guitars. With a new space and vision, the band produced their second LP, “Take It From The Dead,” set to be co-released in June 2021 by Brooklyn’s Greenway Records and psych powerhouse LEVITATION’s label, The Reverberation Appreciation Society.
“Take It From The Dead” features an array of different influences ranging from 90’s neo-psych, modern post-punk and 70’s rock-n-roll. Acid Dad has crafted a record that sounds new, yet feels nostalgic. In contrast to their earlier work, they make use of slower tempos and expand their sound to include songs that are both more intricate and more hypnotic. To accompany the new record, the band spent the last year collaborating with video artist Webb Hunt, producing psych and glitch art videos that form a visual counterpart to the dreamy distortions of their sound.
At the top of 2020, after a year of traversing the globe in support of 2019’s Run Fast Sleep Naked, Nick Murphy began creating music that simply felt good. Though the singer had retired his billionstreaming Chet Faker project four years prior, the new songs he was working on in his New York City studio had an energy reminiscent of his earlier work. Reviving the project “wasn’t on my radar” at the time, Murphy admits, but the next thing he knew, he had a full album. The result is Hotel Surrender, a radiant 10-track LP full of swaggering bass lines and electrifying melodies that reintroduces Chet Faker to the world – and to Murphy himself. Like his debut LP, 2014’s Built on Glass, Murphy wrote and produced Hotel Surrender solely on his own, finishing most of the songs before COVID-19 hit in March 2020. He admits that before Hotel Surrender, he had never approached his process with such ease. This time, as the album title suggests, he surrendered to the music. “There was this, like, unconsciousness—not thinking, but just feeling, letting it come out and letting it steer itself,” Murphy says. “The great lesson for me was that I could write from a place of joy. I was also just being kind to myself. None of this music was hurting, it just felt good. It made me feel better, and it helped me be better.”
A much-deserved and open armed 20th anniversary celebration of Opeth’s magnum opus. Two decades in and still a breath-taking piece of work, dense with extraordinary melodic moments, spine-tingling atmospherics and agile but crushing heaviness, and one that saw the Swedish metallers kick open prog’s ornate doors, fed death metal through the cosmic kaleidoscope and introduced a generation of music nerds to a world of limitless musical possibilities. The reissue comes lovingly pressed with a variety of deluxe finishes and housed in a gatefold artwork sleeve, with updated liner notes and acknowledgements. The deluxe hardcase CD comes furnished with an updated artwork booklet complete with new liner notes, never seen before memories from the band, and exclusive content provided by the Opeth fanbase. It remains a must for Opeth enthusiasts, completists and casual listeners alike.
Hologram is the first release from New York Post-Punk legends A Place To Bury Strangers on their own newly formed label, Dedstrange. Hologram is the follow up to their highly regarded fifth album, Pinned, and is a sonic return to A Place To Bury Strangers’ rawest, most unhinged sound. With songs addressing the decay of connections, friendships lost, and the trials and tribulations of these troubled times, Hologram serves as an abstract mirror to the moment we live in. Written and recorded during the on-going global pandemic and in the midst of the decline of civilization, Hologram is a sonic vaccine to the horrors of modern life.
Demon Records presents Distortion: Live, the fourth and final edition in a series of expansive vinyl box sets chronicling the solo career of legendary American musician Bob Mould. Bob Mould’s career began in 1979 with the iconic underground punk group Hüsker Dü before forming the beloved alternative rock band Sugar and releasing numerous critically acclaimed solo albums. The final volume in the series features 8LPs of live recordings from across Mould’s solo career.
Red Rocks 2020 covers an amazing range of music from Nathaniel Rateliff’s celebrated career, including several jewels from his solo albums (And It’s Still Alright, In Memory of Loss, Falling Faster Than You Can Run, Shroud EP) and “Still Out There Running,” a haunting track from Tearing at the Seams, his much-loved 2018 LP with the Night Sweats. Also, Kevin Morby joins Rateliff and the band for an amazing version of Leonard Cohen’s “There Is a War.”
Global superstar Tones And I has announced her widely anticipated debut album, Welcome To The Madhouse, which will arrive worldwide on July 16th. Welcome To The Madhouse stands out as a deeply reflective and personal body of work for Tones And I, with the Australian artist writing the entire album by herself and co-producing every song.
Tones And I commented on the significance of Welcome To The Madhouse explaining, “This album for me is very up and down and reflects the forever changing emotions in me.There are songs on the album that were written before ‘Dance Monkey,’ about not knowing if busking was right for me. There are songs about my good friend T passing away and not wanting to deal with those emotions. The ups and downs of life in lock down and the mental challenges / struggles. Some songs make me laugh and some make me cry but there is no running theme or vibe to the album - the songs are unique to how I was feeling the day I wrote them.”
Regarding the album's lead single, “Cloudy Day,” Tones And I elaborated on the single’s origins noting, “After my friend T passed away I was struggling to write any songs that were happy or that I even liked. I met up with a friend who told me this saying from his late mum – ‘on a cloudy day, look up into the sky and find the sun.’ I knew I wanted to use that as a lyric and the next time I went into the studio I wrote ‘Cloudy Day.’”
Tones And I Initially laid the foundation for Welcome To The Madhouse last year with the release of “Fly Away,” a poetic and powerful composition which has amassed over 190 million streams with Tones And I delivering performances of the song on Jimmy Kimmel Live! and The Ellen DeGeneres Show. She followed it up in 2021 with the release of “Won’t Sleep,” which arrived alongside a Tones And I, Nick Kozakis and Liam Kelly directed official music video continuing what has become a tradition of highly unexpected and unforgettable visuals. Both tracks reflected the inimitable idiosyncrasies of Tones And I’s signature style, highlighting her clever lyricism, unpredictable songcraft, and indisputable knack for a hook
As her name indicates LoneLady writes, performs and records all the components of her music, building up her own soundworlds in a solitary creative process. Whereas previous albums at least allowed the occasional appearance of another human - a drummer - with Former Things even that has now gone. This time, LoneLady has programmed all the beats and sequences, swapping her Telecaster guitar for an eclectic selection of synthesisers and hardware, their limitless creative potential providing the foundations to take the album in a new direction. Former Things is a glowing assemblage of memory we want to preserve: a myth that we protect in our minds, to remember across the ages and inspire us always.
Music from The Allman Brothers Band—Live At The Atlanta International Pop Festival was initially released by Columbia Records in 1971 and featured select cuts from sets by ABB, Jimi Hendrix, Johnny Winter, Poco, Sly and the Family Stone and others. The Allman Brothers Band Atlanta Pop set was issued in full by Sony Legacy in 2003. The Allman Brothers Band formed in 1969 and their epic live performances and platinum-selling records would make them one of the biggest rock bands in America. They’re members of the Rock & Roll Hall of Fame and have received the Grammy Lifetime Achievement Award and Billboard’s Legend Of Live award. The group played their final show in 2014. Earlier this month, the group announced the October 16, 2020 releases of The Final Note (Duane Allman’s last show in 1971) and The Best Show You Never Heard (a band-favorite live show from 2005).
Republic Records and Warner Bros. Pictures present the soundtrack to Space Jam: A New Legacy, the mega- anticipated animated/live-action film opening in theaters across the U.S. and on HBO Max on July 16. The first single, “We Win (Space Jam: A New Legacy)” debuted at #1 on the Billboard Hot Gospel Songs chart and unites multiplatinum GRAMMY® Award-nominated rapper Lil Baby with 16x GRAMMY® Award-winning multiplatinum gospel icon Kirk Franklin over a beat from Just Blaze [Eminem, JAY-Z.]
Electric Smoke 2LP. Exclusive Superman cover. Includes collective character trading card (1 of 10), 11x22 fold-out poster. Gatefold. To accompany the unrestrained awesomeness of DC’s Dark Nights: Death Metal comic series, executive producer/composer Tyler Bates (Guardians of the Galaxy, John Wick) presents the Dark Nights: Death Metal soundtrack. Directly inspired by the comic series’ storyline, the diverse soundtrack illuminates the darkest corners of each DC character’s psyche.
To accompany the unrestrained awesomeness of DC’s Dark Nights: Death Metal comic series, executive producer/composer Tyler Bates (Guardians of the Galaxy, John Wick) presents the Dark Nights: Death Metal soundtrack. Directly inspired by the comic series’ storyline, the diverse soundtrack illuminates the darkest corners of each DC character’s psyche. Limited Edition Red 7" Single Flexi Disc. Packaged in polybag with comic book. Indie Exclusive.
Hailed upon its release last year as "vital and comfortable taking new chances” (Rolling Stone) and “cheery, resilient, forever looking forward” (The New Yorker), Paul McCartney’s McCartney III, which topped album charts across the world, is now literally moving into the future in the form of McCartney III Imagined. Personally curated by Paul, McCartney III Imagined features an A-List assortment of friends, fans and brand new acquaintances, each covering and/or reimagining their favorite McCartney III moments in their own signature styles. The result is a kaleidoscopic reinterpretation of an album Rolling Stone accurately tagged “an inspiration to us all”—one that serves as an extension of the instantly beloved McCartney III while standing on its own as brilliant and adventurous milestone in the McCartney discography.
Formed in L.A.’s South Bay in 1978, DESCENDENTS began as a power trio featuring bassist Tony Lombardo, drummer Bill Stevenson, and guitarist Frank Navetta (d. 2008). The band recruited vocalist Milo Aukerman in 1980 and began establishing themselves as major players in the Southern California Punk movement. Over the years, the band has sustained a potent chemistry and shared vision, further cementing them as punk legends.
In 2002, the original four-piece lineup — Frank Navetta, Tony Lombardo, Bill Stevenson, and Milo Aukerman — got back into the studio to finally record their first-ever songs. The songs were written by the band from 1977 through 1980, before recording the Fat EP (1981) and the Milo Goes to College LP (1982). Put simply, this is the DESCENDENTS’ earliest material, representing a “lost” pre-MGTC album. Most of these songs have not been heard—until now.
Every element of DESCENDENTS’ genre-creating sound is here: Stevenson’s hyper-caffeinated surf-beats, Lombardo’s intrepid bass, Navetta’s crunching attack, Aukerman’s impassioned, infinitely relatable singing—and all those great melodies and harmonies.
'Triage' offers a rare look inside of the songwriter. This album finds Rodney Crowell introspectively looking for answers and for healing, resulting in what he has called his most personal record yet.
This new collection of songs was written during the great political, environmental and economic upheaval that has marked recent years. The noise of that chaos encouraged Crowell to look inward for solace and answers. The result is this series of songs that contend with these themes, but approaches them from a place of healing, love and solution. That they are being released while we find ourselves walking through a global pandemic, is a gift of perfect timing.
Romantic Images, Molly Burch's third album, marks a distinct evolution for Burch, both emotionally and sonically. Recorded in Denver with Tennis' Alaina Moore and Pat Riley producing, the collection celebrates the timeless delights of a well-crafted pop song, flirting with Blondie, Madonna, and even Mariah Carey as it forges a joyful soundtrack to liberation and self-discovery. Burch deliberately worked with more women collaborators than ever before on the album, and the results are transcendent, reveling in the passion and the power of the divine feminine. The collection prioritizes ecstasy and escape, and Burch's commitment to collective catharsis in her lifted, airy delivery manages to exude both thoughtful introspection and carefree abandon all at once. The shadow still lurks on the album, to be sure, but the light ultimately wins, and the result is an intoxicating collection all about coming into our truest selves.When it came to mixing and mastering the material, Burch put her faith in Gloria Kaba (Lauryn Hill, A Tribe Called Quest), Mikaelin "Blue" Bluespruce (Solange Knowles), and Heba Kadry (Bjork, Beach House) to truly understand where she was coming from with the music. Burch designed the record to mirror the emotional journey that went into creating it, sequencing the music to work it's way from jittery indecision to poised certainty over the course of ten mesmerizing tracks. Exhilarating opener "Control" takes a leap of faith as it learns to make peace with letting go, while the infectious "Heart Of Gold" grapples with wanting what you can't have. By the time the silky "New Beginning" rolls around, Burch begins settling into a newfound sureness that dominates the collection's second half, with the addictive "Emotion" (a collaboration between Burch and her Captured Tracks labelmate Wild Nothing) celebrating a spectrum of emotions as fuel for creativity."I've written quite a bit about anxiety and heartbreak in the past," Burch reflects, "but this record is more inspired by confidence and self-love. This is the most me I've ever sounded on an album."
KGLW's 18th studio album, Butterfly 3000, might be their most fearless leap into the unknown yet; 10 songs that began life as arpeggiated loops composed on modular synthesizers, before being fashioned into addictive, optimistic and seductive dream-pop. It sounds simultaneously like nothing they've done before, yet unmistakably Gizz, down to its climactic neon psych-a-tronic flourish. This is their most accessible, jubilant album to date. 4-panel Softpak CD w/ 8-pg booklet on 100% recycled stock.
The defining blues voice of his generation releases the eagerly-anticipated follow-up to his Grammy-nominated debut, 2019's Kingfish. 662 (the area code of his Clarksdale stomping grounds) is a powerful and personal album, a fiery coming-of-age record. The lyrics reflect Ingram's newfound maturity and how your roots inspire where you're heading. Musically, the record delivers a heaping helping of the deep, visceral Ingram guitar magic his fans love, fueling a combustible mix of molten blues rock, down home shuffles and soulful grooves.
"Live From The Apocalypse" is the fruit of an unprecedented time. Unlike previous live efforts the Italians, under the yoke of the pandemic, cleverly devised a way for their devoted fan base to hear and see them on stage by organizing a special livestream event performing their latest album, "Black Anima", in it's entirety, in September 2020. This very special show will now be released on vinyl and CD as well as a digital album. The physical album formats come with a bonus DVD featuring the footage of the original live stream.
1 standard weight BLACK Vinyl LP, in ALTERNATE COVER IMAGE jacket w/ mirror-board finish, printed inner sleeve, and 20 page 12”x 12” booklet
Gold-Diggers Sound is the new album from Leon Bridges. This R&B collection is birthed from extended late nights at the Los Angeles, California studio of the same name. The album celebrates Leon’s immersive experience of creating music in the same East Hollywood room where he lived, worked and drank over the course of two years. The soulful collaboration between Leon as an artist and the space itself was so encompassing that he chose to name the album after the soon-to-be legendary complex.
Nearly five decades since his debut LP, the songs on Jackson Browne’s new album Downhill From Everywhere sustain the soulful intimacy of his first release, combined with a power and wisdom gained from a life pursuing positive change.
Swift’s album, folklore, now on Beige 2 LP coming July 23rd! "Most of the things I had planned this summer didn’t end up happening, but there is something I hadn’t planned on that DID happen. And that thing is my 8th studio album, folklore," she said, letting fans know she poured all her whims, dreams, fears, musings into the 17 tracks. "I wrote and recorded this music in isolation but got to collaborate with some musical heroes of mine; Aaron Dessner, Bon Iver, William Bowery & Jack Antonoff.
Land of the Free? with revered classic songs like the incendiary “F*ck Authority,” was a wake -up call from Pennywise, aimed at the slumbering masses of America, an attempt to shake people out of their lethargy and prod them into thinking about the world. Originally released in June 2001, the band’s six studio album tackled the political and social issues of the day, from police corruption and mass shootings to elections, topics that 20 years later are just as relevant.
Pennywise have made a name for themselves over the past 33 years as a politically minded, melodic hardcore /punk band that has sold millions of albums and become one of the most successful independent acts of all time. Formed in 1988, the band played backyard parties in their hometown of Hermosa Beach, California, without having any aspirations other than playing as many songs as they could before the police showed up. Hermosa Beach and the surrounding neighborhoods are a prominent place in popular culture, with groups like Black Flag, The Circle Jerks and Descendants merging a fast rebellious sound with the surrounding aggressive surf and skate culture. Inspired by their predecessors, Pennywise were at the forefront of a second wave of American punk rock that would catapult the movement from a tight-knit subculture into a worldwide movement.
Internationally acclaimed singer-songwriter Joshua Radin returns on Nettwerk Records with his ninth full-length album, The Ghost and the Wall. Produced by Jonathan Wilson (Father John Misty, Conor Oberst, Dawes), The Ghost and the Wall sees the troubadour continue a cycle of catharsis meant to be shared among any and all receptive hearts. "I see where I need to heal, and I write songs about that," Joshua admits. "Like keeping a diary, songwriting is extremely personal for me. It's always cathartic to not only write, but to also go on tour and play in front of people on a nightly basis. With every project, I get to see how the most vulnerable moments of my life affect others." After 16 years, eight albums, and hundreds of shows around the globe, Joshua Radin still treats music as an antidote to any ailment. The LA-based artist finds healing in between waves of acoustic eloquence and dyed-in-the-wool Americana storytelling. Radin introduced The Ghost and the Wall at the beginning of 2021 with "Better Life," where his lilting vocals detail an immigrant's journey to America over understated acoustic guitar.
Until the End of Time is the seventh studio album, and third posthumous release by rapper 2Pac. The album consists of material recorded while the rapper was on Death Row Records from 1995 to 1996. The album debuted at number one on the US Billboard 200 chart, selling 426,870 copies in its first week. This marks the first time the record has been reissued, since the original release in 2001. The package is being released in a 4LP with standard black vinyl.
The Brothers - celebrating 50 Years of the music of The Allman Brothers Band that performed at Madison Square Garden in New York City for one night only March 10, 2020. The Brothers-Jaimoe, Warren Haynes, Derek Trucks, Oteil Burbridge, Marc Quinones-were joined by Duane Trucks and Reese Wynans and special guest Chuck Leavell. This one-time concert event was a celebration of The Allman Brothers Band's illustrious career. It notably marks the first time in more than five years that these legendary players were together on stage to perform their iconic hits, and the first time since the passing of founding members Gregg Allman and Butch Trucks.
Sensational expands the universe of de Casier's 2019 self-released debut album Essentials. Where Essentials dealt more with the infatuation stages of love, Sensational has more of an attitude, aiming to dismantle the stereotype of single women looking for love, tackling relationship dramas and the toxicity of dating. It was a chance to rewrite scenarios in ways that empowered her, fantasizing about what could've been. Sensational was co-produced by de Casier and is a breath of fresh air to anyone with a passion for music in all its genres, as much influenced by Aaliyah and Janet Jackson as house, garage and techno. With hushed, pillow-soft vocals and production that references turn-of-the-millenium sounds, de Casier's sound surveys the past while looking to the future.
In 2020, 4AD turned 40. Never one to be on time for a party, the label is commemorating that landmark this year with the release of Bills & Aches & Blues. The compilation features 18 of its current artists covering a song of their choosing from 4AD's past: a creative experiment rooted in the spirit of collaboration and a snapshot of 4AD, 41 years after its inception.
"Coming July 23: Spiral, the long awaited return of DARKSIDE. In the summer of 2018, DARKSIDE's Dave Harrington and Nicolas Jaar rented a small house on Lenni-Lenape territory, present-day Flemington NJ, where the group spent a week, making a song a day. While it would take another year and a half to complete their second album, six songs from the band's new record Spiral were written and recorded during this initial session. ""From the beginning, DARKSIDE has been our jam band. Something we did on days off. When we reconvened, it was because we really couldn't wait to jam together again,' says Jaar. Harrington echoes this, 'It felt like it was time again,' he said. ""We do things in this band that we would never do on our own. DARKSIDE is the third being in the room that just kind of occurs when we make music together.""
Piroshka's stunning second album Love Drips And Gathers, builds on the acclaim of their 2018 album debut Brickbat, and the reputations of former members of Lush, Moose, Elastica and Modern English. Piroshka emerged in 2018, four individuals with distinct musical identities but also overlapping histories - a combination that might have unsettled, or even overwhelmed, some bands. But in their case, the bond only got stronger. After Brickbat explored social and political divisions by way of what MOJO described as "Forceful, driving garage songs and dream-pop epics", Love Drips And Gathers follows a more introspective line. Reflecting on the ties that bind us, as lovers, parents, children and friends, to a suitably subtler, more ethereal sound, whilst still revelling in energy and drama.
R.E.M.’s first and breakthrough single “Radio Free Europe” was initially released by a small Atlanta-based record label, Hib-Tone Records. Produced by Mitch Easter, the original recording of the single had different mixes by Easter and by label-owner Johnny Hibbert. Although the band preferred Easter’s mix, Hibbert chose his version for the 1981 limited pressing 45RPM single, which is now a coveted collector’s item, packaged in a black and white sleeve featuring original photography by Michael Stipe.
“Radio Free Europe” was later re-recorded for the band’s first album release on major record label I.R.S. Records and went on to land the band their chart debut, peaking at #78 on the Billboard Hot 100. That album, Murmur, went on to reach #36 on the album chart and set the band steadfastly on the path to college radio domination and critical acclaim. The band’s 1988 compilation album, Eponymous, included what was called the Original Hib-Tone single, but what was in fact Easter’s original mix, not Hibbert’s.
This limited edition 7” pressing represents the first ever re-release of the original Hib-Tone recording of “Radio Free Europe” and comes housed in a replica sleeve.
Dream Theater, the two-time Grammy-nominated and millions-selling legends of progressive music, are pleased to announce the Lost Not Forgotten Archives. This fresh collaboration between the band and record label InsideOutMusic will see the virtuosic quintet's long-standing Ytsejam Records catalogue reissued, alongside some brand-new additions to this special collector's series. Ytsejam Records previously played host to Dream Theater's official bootleg release collection comprising of live shows, demos & studio outtakes from throughout the band's prolific career. As part of Lost Not Forgotten Archives, the entirety of the collection will be reissued on CD, as well as for the very first time on vinyl, with brand new artwork and packaging.
JC Sanford, most known for his edgy original compositions on previous projects like Pyramid Scheme and Keratoconus, puts forth his first jazz standards recording as a leader with Imminent Standards Trio, Vol. 1. Recorded safely distanced and isolated, the widely varied ten tracks display the group’s mirthful interplay as well as deep swinging and grooving. In addition to Sanford on trombone, the album features Jeff Bailey on bass and Phil Hey on drums.
To mark the 25th anniversary of the Spice Girls' debut single, "Wannabe," UMe/Virgin is releasing a new 4-song EP. Alongside the original single and demo version is a remix by Junior Vazquez, originally a bonus track on the "2 Become 1" CD single. Also included is "Feed Your Love," a ballad written by the Spice Girls and "Wannabe" co-writers Richard "Biff" Stannard and Matt Rowe. It was originally recorded for the Spice album, but previously unreleased. Silver Cassette.
Things Take Time, Take Time is an assured leap forward for Barnett; a breakthrough really. This is Barnett at her most relaxed, creative and joyful. An exquisite look at the intimate, private world created by Barnett and drummer/producer Stella Mozgawa (Warpaint, Cate le Bon, Kurt Vile). It's consequently her most beautiful and intimate record to date.
The Seafloor Cinema are a sacramento-based band making their debut on Pure Noise on 11/12 with "In Cinemascope with Stereophonic Sound".
Since forming in 2016, The Seafloor Cinema have been keeping both themselves and listeners guessing with a musical blend-o-matic of Midwestern emo, pop-punk and math rock, spinning unconventional song structures and dextrous, intricate guitar work into captivating underground anthems.
James Blunt’s greatest hits album, 'The Stars Beneath My Feet (2004-2021)’ is out November 19th and celebrates songs spanning a stellar 17-year career that has spawned over 23 million album sales, a global smash hit with ‘You’re Beautiful’, two Brit Awards and two Ivor Novello Awards, as well as receiving five Grammy Award nominations.
Amongst the string of hit singles, 'The Stars Beneath My Feet (2004-2021)’ will also include four new songs (‘Love Under Pressure’, ‘Unstoppable’, ‘Adrenaline’ & ‘I Came For Love’), as well as four exclusive live performances from around the world, including the Glastonbury Festival. It also features stunning tracks from his latest Gold-selling album ‘Once Upon A Mind’, including ‘Cold’, and the heartbreaking ballad for his father, ‘Monster’.
James’ classic 2004 debut album ‘Back To Bedlam’, was recently named as one of the top ten best-selling albums of that decade, and with ‘Once Upon A Mind’, James Blunt reinforced his reputation for writing honest, emotional songs that people can easily relate to. The album marked a return to what James Blunt does best – writing classic songs that touch both the heart and the head. Another side of James - his wit and charm - have in recent times been showcased via his always engaging Twitter account. James has also announced a huge UK arena tour for 2022.
Ray Charles is both one of the most iconic artists of all time as well as one of the hardest to define by genre. At the beginning of his career, he was dubbed the Genius of Soul for boldly combining traditional R&B with Gospel music and giving birth to Soul music. Yet this momentous musical accomplishment was just the beginning of a five-decade career in which he uniquely succeeded in virtually every genre. Ray's unique mastery of music allowed him to continue to explore all forms of music, freely floating between jazz, blues, pop, rock, soul and country while continuing to combine them in new, unprecedented ways. This two (2) disc vinyl collection illustrates the many musical "sides" of Ray by focusing each album side on some of the broader genre categories he visited most.
Billie Eilish has announced her highly anticipated sophomore album. The 16-track studio album, titledHappier Than Ever, will be released via Darkroom/Interscope Records on July 30. Continuing the tradition on from her multi-GRAMMY Award, record-breaking debut albumWHEN WE ALL FALL ASLEEP, WHERE DO WE GO?,Happier Than Everfeatures no outside songwriters or producers, and was written by 19-year-old Billie Eilish and her brother FINNEAS who produced the album in Los Angeles. The album includes Top 40 #1 single “Therefore I Am” and “my future.”
Recorded in the spring of 2010 and then mysteriously abandoned by Prince before its release, the statement album Welcome 2 America documents Prince’s concerns, hopes, and visions for a shifting society, presciently foreshadowing an era of political division, disinformation, and a renewed fight for racial justice. The album features some of Prince’s only studio collaborations with the bassist Tal Wilkenfeld, drummer Chris Coleman, and engineer Jason Agel, with additional contributions from New Power Generation singers Shelby J, Liv Warfield, and Elisa Fiorillo and keyboardist Morris Hayes, who Prince also recruited to co-produce the album. The Deluxe Edition of Welcome 2 America combines the 2LP and CD versions of the album with a never before released Blu-Ray of Prince’s full April 28, 2011 performance at the Forum, part of the Welcome 2 America Tour’s historic 21 Nite Stand in Los Angeles. The show is presented in stereo, 5.1 surround and Dolby Atmos, and includes 24 tracks from across Prince’s career, from his biggest hits to fan favorites to ten rare covers. In addition, the deluxe edition features a 32 page 12x12 book, exclusive poster and an embossed vellum envelope of limited edition memorabilia all housed in a luxe, gold embossed package. Experienced as a complete package, the Deluxe Edition provides an immersive view of Prince’s creative genius during his spontaneous, energetic, and thought-provoking Welcome 2 America era.
2020 was not quite what Jay Farrar was expecting for the 25th anniversary of Son Volt, the band he started in 1995 after leaving the seminal group Uncle Tupelo, whose No Depression album helped define the alt-country and Americana genre. The group had just finished an Outlaw Country Cruise when the pandemic hit and sent them into their homes on lockdown.
Instead of a triumphant tour marking the illustrious landmark, Farrar was forced indoors by the pandemic, and his “Reverie” during that time helped define Electro Melodier, Son Volt’s 10th studio album – and third for influential Nashville indie Thirty Tigers. The title, taken from the names of two vintage amplifiers from the late ‘40s and early ‘50s, also describes the disc’s unique blend of folk, country, blues, soul and rock – an electric troubadour with melodies that hit and stick. Social protest songs like “Living in the U.S.A.” and “The Globe,” the former about the promises of this nation gone wrong, the latter referencing the street protests accompanying the Black Lives Matter movement, exist side by side with odes to long-term relationships (specifically his 25-year marriage) in “Diamonds and Cigarettes” and “Lucky Ones.”
Once again accompanied by the current Son Volt line up – keyboardist/steel guitarist Mark Spencer, bassist Andrew Duplantis, guitarist Chris Frame and drummer Mark Patterson – Farrar takes a slight turn from 2019’s politically pointed Union to a series of songs that asks questions rather than demanding answers – think of “Living in the U.S.A.” as Farrar’s version of Bruce Springsteen’s “Born in the U.S.A.,” Neil Young’s “Rockin’ in the Free World” or Patti Smith’s “People Have the Power,” an anthem to unite the populace.
One listen to Electro Melodier, which opens with “Reverie,” describing Farrar’s contemplative state gazing out his window, enlivened with Mark Spencer’s “Wichita Lineman” guitar riffs and the lush Big Star melodies, and you wonder why no other rock ‘n’ roll bands or singer/songwriters are making albums like this about what we’re all going through.
With tour dates scheduled before the end of 2021, Son Volt is ready to return to what they know best after a welcome period of introspection.
The songs of Electro Melodier help remind us to be thankful of what we still have – new music from Jay Farrar and Son Volt.
Parker McCollum will be releasing his major label debut- Gold Chain Cowboy on MCA Nashville on July 30th. He is born and raised in the Houston-TX market and has been based in Austin-TX since he released is first independent single and EP in 2013. He has performed and will headline numerous radio station festivals during the summer. The 10 Tracks on his debut album will feature the #1 Platinum-"Pretty Heart" and his current Top 40 hit- "To Be Loved By You".
Stand for Myself is the anthemic new album from Yola. Produced by Dan Auerbach, the record is a timeless masterpiece marking an idiosyncratic sonic shift, which will defy all expectation. A sophisticated and diverse sonic mix of symphonic soul and classic pop, tracing an expansive musical thread to Yola’s most eclectic musical inspirations. Yola’s inimitable vocals share nuanced stories of allyship, black feminine strength through vulnerability, collective awakening and loving connection from the sexual to the social. Yola declares that it is only when we stand for ourselves, and acknowledge our complexity, that we can be truly alive. For Yola, living is more than merely surviving.
Los Angeles based band, Los Lobos, have always been inspired by their surroundings and the place they call home. Their music is influenced by rock and roll, Tex-Mex, country, zydeco, folk, R&B, blues, brown-eyed soul, and traditional music such as cumbia, boleros and norteños. With Native Sonsthe band set out to showcase all of these influences with their own take on the songs of Los Angeles from some of the cities greatest songwriters.Native Sonsfeatures 13-songs from well known LA artists such as Buffalo Springfield, WAR, Jackson Browne and the Beach Boys as well as deep cuts from the Jaguars, The Basters and The Premiers. The album title track is the sole original composition written by the band.
“A RESIDENCY IN THE LOS ANGELES AREA” is the major label debut from multi-instrumentalist, singer-songwriter and producer NAIA IZUMI. Overlaying virtuosic two-hand tapping, eloquent phrasing, and time-warping tremolo upon a slow-honey drip of soul, Naia speaks through his music as if the sound flows through him.
Diagnosed with autism at the age of 16, Naia dropped out of high school to join the Job Corps before deciding to pursue his dream full force, busking on the streets and performing hundreds of gigs across the country before settling in Los Angeles. In 2018, Naia made his breakout win at NPR’s highly-coveted Tiny Desk Contest with his track “Soft Spoken,” which landed the musician a major label record deal with Sony Music Masterworks.
On “A Residency in the Los Angeles Area” Naia collaborated with producer Tony Berg [Peter Gabriel, Phoebe Bridgers] and recorded at Sound City Studios, performing vocals, guitar, bass, drums, Japanese Koto, mandolin, cittern, and more. From the simmering funk beat of “Honesty” to the searing solo performance on “Natural Disaster,” the smoky wah of “Six Inch Stilettos,” and the lushly hypnotic melodies on “Good At Being Lonely,” the album showcases Naia’s artistry on every level. A subtle homage to his adopted home base, “A Residency in the Los Angeles Area” represents the union of practice and magic, technique and spirit, intense thought and unrestrained emotion
Limited triple vinyl LP pressing. More pervasive than a virus, anxiety and urgency has spread across our physical and virtual landscapes. The air of the present moment find parallels on the newest body of work by Son Lux. On Tomorrows, Ryan Lott, Rafiq Bhatia, and Ian Chang train their sights on volatile principles: imbalance, disruption, collision, redefinition. But for all of it's instability, Tomorrows' exploration of breaking points and sustained frictional places is ultimately in service of something rewarding and necessary: the act of questioning, challenging, tearing down and actively rebuilding one's own identity. Arriving at a time of considerable uncertainty in the world, Tomorrows is ambitious in scope and intent. Born of an active, intentional approach to shaping sound, the music reminds us of the necessity of questioning assumptions, and of sitting with the tension.
• 180 gram yellow splatter colored vinyl • Originally released April, 19th 2011 • Showcases Brian’s legendary and world-class skills as a musician. • Features “Go-Go Godzilla!” from the official Soul Surfer soundtrack.
Private Space, the group’s third album, is a previously untapped vibe at the heart of The Indications. Pushing beyond the boundaries of the funk and soul on their previous releases, Private Space unlocks the door to a wider range of sounds and launches boldly into a world of synthy modern soul and disco beats dotted with strings. It’s an organic, timeless record that’s as fresh as clean kicks and familiar as your favorite well-worn LP. Developed after being apart for much of the year, Private Space is creatively explosive and delights in upending expectations. Its 10 tracks are both an escapist fantasy and a much-needed recentering after a tumultuous 2020. Throughout, The Indications highlight a collective resiliency – as well as the power of a good song to be a light in the darkness.
Durand Jones & The Indications have long provided the soulful soundtrack for such deep thoughts, both on stage and on your turntable. But as the world slowly resets from the chaos of the past year, Durand Jones & The Indications’ Private Space is arriving at just the right time.
2021 release. Just as their critically acclaimed 2020 album Out of Body impacted audiences, Needtobreathe capitalized on a rush of inspiration and rode the wave of creativity with the writing and recording of Into The Mystery. Without telling a soul, the band decamped to a historic house-turned-recording studio in Columbia, TN to begin working on new music. Over the course of three weeks, they resided under one roof, laughed during meals, explored their surroundings, and recorded together with co-producer and engineer Konrad Snyder and special guests, Carrie Underwood, Jon Foreman (Switchfoot) and Natalie Hemby (The Highwomen). Out of this de facto creative hub and "extended summer camp," they handcrafted an album reflective of the moment, yet independent of all expectations-even their own.
"There's more to the duality of Clay Walker's debut Show Dog Nashville album Texas To Tennessee than the title. Certainly, the realities of place are as central as this comeback album's name implies: Nashville busily working toward the next fresh hit; Texas moving at its inimitable and familiar pace. There's also a mix of songwriting and production approaches, evident and more nuanced relationships between the songs themselves, and the overarching presence of a naturally gifted vocalist who relentlessly pursues his own development as a singer. But don't mistake those dualities for dichotomy – and certainly not polarity. In a storied career dotted with smash singles, platinum albums and countless honors and acclaim, maybe the connection between country's timeless themes and music-of-the-moment timeliness has been there all along.
Many of the country fans behind the almost 20 million on-demand and video streams for his latest single "Need A Bar Sometimes" – who may also be among his 750,000 TikTok followers – are wholly unaware of Walker's history. Discovered in a Beaumont area bar by noted producer and head of Giant Records James Stroud (Toby Keith, Tracy Lawrence, Tim McGraw, Kenny Rogers), Walker was in his early twenties when he started rattling off a string of smash hits. Among them, “Live Until I Die,” "Dreaming With My Eyes Open," “This Woman And This Man,” "Hypnotize The Moon," "Rumor Has It," “Then What,” "I Can't Sleep" and "She Won't Be Lonely Long." His self-titled debut album rocketed to platinum status, the first of four to cross the million-sold mark. Racking up more than 30 charted singles and 11 No. 1s wasn't without its struggles, however.
"Being born and raised in the Houston area, I thought of myself in the line of George Strait and Clint Black, but my first producer had other ideas," Walker says. "James Stroud pushed me more towards pop sounds I fought with. What he was saying, and I think he was right, was, 'Clay, you've got some gears to you that will excite people if you let it.' I was young – 23 – and didn't really settle with that. But now I'm in a sweet spot in music, in life, and I definitely feel the audience has swung around to appreciating music that makes those connections."
Bleachers are set to release their highly anticipated 3rd album Take The Sadness Out Of Saturday Night due out July 30th 2021 via RCA Records. In late 2020 they offered up the first taste of new music to preview the album with the release of “Chinatown” ft. Bruce Springsteen and “45”. This music is the follow up to their critically acclaimed second album, Gone Now, which came out on June 2nd, 2017. The first single “Don’t Take The Money” hit #3 at Alternative Radio. Ahead of the album release, The New York Times put out a piece that called Bleachers’ new music “anthemic life-affirming pop-rock”. Bleachers, who are known for their incredible live shows, headlined a North American tour in support of the album, which included a number of major festival dates like Sasquatch Festival, Governor’s Ball, and Firefly Music Festival. Five-time Grammy® Award-winning singer, songwriter, musician, and producer, Jack Antonoff, is the creative force behind Bleachers.
In 2018, legendary heavy metal vocalist and pop culture pillar Dee Snider turned the heavy music world on it's axis with his transformative full-length, For The Love Of Metal. Produced by HATEBREED frontman Jamey Jasta, the album re-cemented the undeniable prowess of the iconic Twisted Sister singer with it's modernized mastery and take-no-prisoners attitude. Three years later, with one of the most collectively tumultuous times society has ever experienced behind him, Dee Snider triumphantly returns with the potent full-length follow up Leave A Scar. Once again produced by Jamey Jasta, with co-production, mixing and mastering by drummer Nick Bellmore, Leave A Scar sees Dee Snider & Co. Continuing in the invigorated direction of For The Love Of Metal, infusing a dose of classic heavy metal flavor that longtime fans will rush to embrace. Like a scar itself, Leave A Scar is an illuminating plentitude of angst etched in time - serving as a musical refuge and expressive output for Dee. But in turn, this auditory time capsule written to express the anger, unease and pain he experienced during lockdown emerges as not only blisteringly heavy, but relentlessly powerful. Heads will bang within seconds of the hard-charging opening notes of ultra-catchy album starter and lifer anthem "I Gotta Rock (Again)", instantly setting the stage for the non-stop onslaught of metallic mainstays to come. Tracks like the brutal "Time To Choose" - featuring the primed guest vocal attack of Cannibal Corpse's George "Corpsegrinder" Fisher - and mosh-ready "The Reckoning" showcase the album's heavy assault, without sacrificing the harmonic goodness evident on tracks like the unrelenting, hooky thrasher "All Or Nothing More" and melodic, metal-core inspired "In For The Kill". Energetic single of strength "Down But Never Out" encapsulates the chunky riffage and driving drums palpable throughout the album, while searing "Before I Go" provides one of the album's most massive, memorable choruses and chilling lyrics. The album closes with victorious ballad "Stand", a call for listeners to take a stand and make their voices heard. Each of the 12 tracks on Leave A Scar not only further bolster Dee Snider's position as one of the most celebrated frontmen of all time, showcasing that his vocal delivery and commanding swagger is as strong as ever, but that he is nowhere near stopping. If For The Love Of Metal ignited Dee Snider's eminent surge into a new era - Leave A Scar sets it ablaze.
On July 30th, Saddle Creek will release a bold new project in the form of Culxr House:Freedom Summer, a collaborative project showcasing a host of talent from Omaha, Nebraska, all of whom are tied to Culxr House: an innovative community hub based in the city that focuses on providing artists and creatives a safe space to grow their talent and obtain access to resources necessary to turn their art into economic opportunities. Culxr House exists to bridge both social and economic gaps through the cultivation of talent and artistry within the inner city.
Culxr House also served as a nerve center for the protests carried out in Omaha beginning in the summer of 2020, aka, Freedom Summer. The Culxr House family helped to pull people together, inspiring the community to talk about what needed to happen in order to evoke both global and local change. The collective family that are showcased on the new album ~ and the songs they created ~ grew from both those meetings and the venue’s open mic nights. The finished album is proof of the magic that can grow from collaboration and from instigating the bonds of community when it’s most needed.
A wholly important release in its own right, the record is also a reflection of the strength found in Omaha’s culture and community. Available digitally and via a limited edition vinyl run, 50% of the album’s profits will be shared between the artists involved, with the other 50% donated directly to the Culxr House venue that brought this project to life.
The Barren Form is a relentless and unforgiving exhibition of misery and despair. The technicality and weight of Noctambulist's prior album remains persistent on this release, but through an elevated form of songwriting and introspective lyrical content, creating a suffocating and bleak aura. Each track embodies a manifestation of depression, grief, anxiety, and fear - a fitting theme for present day - intended to unsettle and consume the listener.
KING WOMAN, the outfit featuring songwriter, vocalist and “tour de force of gloom and woe” (Rolling Stone) Kris Esfandiari, return with their eagerly-awaited sophomore album, Celestial Blues. Feeling compelled to reshape the biblical archetypes that once bound her, Esfandiari has created a theatrical tale of rebellion, tragedy, and triumph — a metaphor for her own personal experiences over the years — Celestial Blues was born. Celestial Blues is at once a masterclass on crushing atmospheric doom, and at times a sobering take on the weightier sides of shoegaze. At the album's core, a palpable tension can be felt. Acoustic guitars soar before descending into a darkness of riff-heavy distortion. Drums build upon these moments and explode into a cacophonous groove. Esfandiari's voice remains at the forefront; somber moments lead to burning intensity and crescendo. This ebb and flow is constant. Recorded in Oakland, California by GRAMMY-nominated engineer Jack Shirley (Deafheaven, Amenra, Oathbreaker) Celestial Blues sees KING WOMAN take a daring step forward as one of the genre's luminaries, releasing one of the year's most evocative records.
Pop sensation Slayyyter is taking control of 2021, releasing her debut album Troubled Paradise out June 11th via FADER Label. Featuring singles like Self Destruct, Throatzillaaaand title track “Troubled Paradise,” Slayyyter spins dastardly lovers, boredom, and literal villains into bombastic, Y2K-influenced music on her first official LP. Her ferocious return signals the dawning of a new era for the self-made popstar, one who isn’t afraid to raise some hell. Transparent Cloudy Clear LP.
To accompany the unrestrained awesomeness of DC’s Dark Nights: Death Metal comic series, executive producer/composer Tyler Bates (Guardians of the Galaxy, John Wick) presents the Dark Nights: Death Metal soundtrack. Directly inspired by the comic series’ storyline, the diverse soundtrack illuminates the darkest corners of each DC character’s psyche. Limited Edition 7" Single Yellow Flexi Disc. Packaged in polybag with comic book.
To accompany the unrestrained awesomeness of DC’s Dark Nights: Death Metal comic series, executive producer/composer Tyler Bates (Guardians of the Galaxy, John Wick) presents the Dark Nights: Death Metal soundtrack. Directly inspired by the comic series’ storyline, the diverse soundtrack illuminates the darkest corners of each DC character’s psyche. Limited Edition 7" Single Flexi Disc. Packaged in polybag with comic book. Indie Exclusive.
To accompany the unrestrained awesomeness of DC’s Dark Nights: Death Metal comic series, executive producer/composer Tyler Bates (Guardians of the Galaxy, John Wick) presents the Dark Nights: Death Metal soundtrack. Directly inspired by the comic series’ storyline, the diverse soundtrack illuminates the darkest corners of each DC character’s psyche. Limited Edition Red 7" Single Flexi Disc. Packaged in polybag with comic book. Indie Exclusive.