The 3 LP edition contains the original 1994 Wildflowers album (remastered) with 15 tracks on two LPs. LP 3 contains All The Rest, the 10 songs from the Wildflowers sessions that were left off the album, 5 of which are previously unreleased.

beabadoobee has navigated the world of global touring, viral fame and musical creation to work towards a dazzling debut album. 'Fake It Flowers' is a testament to this. Bea adopts a mature sound, where her familiar warm, fuzzy lo-fi lies between strings & melodies, bringing the raw honesty of her DIY roots into a new era.

Legendary labels Decca Records and Blue Note have joined forces for Blue Note Re:imagined; a brand-new collection of 16 classic Blue Note tracks, reworked and newly recorded by a selection of the UK scene’s most exciting young talents.Representing a bridge between the ground-breaking label’s past and future, the project will feature contributions from a rollcall of internationally acclaimed jazz, soul and R&B acts including Shabaka Hutchings, Ezra Collective, Nubya Garcia, Mr Jukes, Steam Down, Skinny Pelembe, Emma-Jean Thackray, Poppy Ajudha, Jordan Rakei and Brit Award-winning Jorja Smith, whose version of St Germain’s Rose Rouge is released June 9th.

The Struts’ new album, Strange Days, will be released on October 16th. The band, who had not been together since February, all received COVID-19 tests before moving into producer Jon Levine's home. Sleeping on couches and air mattresses, the rock project was written and recorded with urgency: 10 songs in 10 days! Features Albert Hammond Jr (The Strokes), Robbie Williams, Tom Morello and Def Leppard’s Joe Elliott & Phil Collen. With a cover of KISS’ “Do You Love Me”. Mixed by Claudius Mittendorfer.

Singer/guitarist Tyler Bryant wrote "Crazy Days" to help him deal with the insanity that is 2020. There were zero plans to have it be the lead-off single for a fourth album, Pressure, whose 13 blues-infused, timeless rock songs create a full-circle journey that both embraces and distracts Guest vocals include Charlie Starr of Blackberry Smoke. and Rebecca Lovell of the duo Larkin Poe. Red LP.

Photo Book, Photo Card (8 versions, Random), CD (1 ea), DVD (2 ea). All sales count towards Soundscan and the US Billboard Charts, as well as the Korean Hanteo and Gaon charts.  

Amidst the backdrop of a global pandemic, political unrest, and wildfires

raging across the western United States, Josh Klinghoffer hunkered down and found the inspiration to complete the sophomore album for his latest project, Pluralone. The release, aptly titled "I Don't Feel Well," comes on the heels of Pluralone's critically acclaimed debut album, "To Be One With You." In some ways, "I Don't Feel Well" seems like a natural progression of the Pluralone project, just as dynamic and fluid in it's arrangements, but more focused in it's execution. Similar to "To Be One With You," Klinghoffer leans heavily on piano and keyboards for the foundation of most songs, with some outliers such as the anthemic guitar-heavy track, 'Mother Nature.' The album weaves sparse rhythmic moments with grandiose arrangements of strings and layered vocals, showcasing Klinghoffer's impressive range and signature falsetto. By all accounts, "I Don't Feel Well" is a reflection of the trying times we find ourselves in; often dark and reflective, but with a glimmer of hope and underlying themes of solidarity, something we could use a bit more of these days.

Relive the soundtrack from "The Walking Dead: Saints & Sinners" VR zombie experience. The gripping complete collection brings to life the horrifying journey through walker-infested New Orleans. This 2-CD set features 56 Bayou-inspired songs and compositions by Michael David Peter & Joshua Mosely, with muddy re-imaginings of songs like "When The Levee Breaks", "In The Pines" and "When The Saints Go Marching In". Immerse and ask yourself: are you a saint or a sinner?

Also available on Red/Green/Clear Smoke colored 3LP with Alternative Cover

 

Massey Fucking Hall, the upcoming live album from Japandroids, captures the power and intensity that have made the band one of indie rock’s most beloved live acts. The Canadian duo on guitar and drums, bring a wall of sound that delivers a full dose of raw and un¬hinged emotion to sixteen fan favorites that span the band’s storied career. sonically this is Japandroids perfection, capturing the energy that has long made their live shows so electrifying; performed at the legendary Massey Hall in Toronto.

Vinyl LP pressing. 2020 release. Nashville-based performer Jeremy Ivey has operated in the background for years as a songwriter/guitarist with his wife, celebrated country-rock luminary Margo Price. Ivey is back in the spotlight with his sophomore solo album Waiting Out The Storm via Anti- Records. Produced by Price, the ten-song album finds Jeremy Ivey expanding his sound with his band the Extraterrestrials. On Waiting Out The Storm, an album with electricity coursing through it's veins, Ivey zooms out to take a widescreen look at the world around us-the landscape, the people that populate it, and the ways in which we help each other survive against all odds. Ivey, who writes prolifically and cites Leonard Cohen and Bob Dylan as influences, evokes "'Mutations'-era Beck along with classic country" (Rolling Stone). His solo material travels through a wide spectrum of classic folk, gently frayed psychedelia, pop, and a bit of Southern rock.

Cordovas new album Destiny Hotel is a work of wild poetry and wide-eyed abandon, set to a glorious collision of folk, country and groove-heavy rock-and-roll. A major creative milestone for the Tennessee band, the album harnesses the freewheeling energy of their live show more than ever, while lifting their songwriting to a whole new level of sophistication. The result is a batch of songs that ruminate and rhapsodize with equal intensity, inviting endless celebration on the way to transcendence.

After a series of stand-alone singles and a release under the moniker EL VY (with Brent Knopf of Menomena), Serpentine Prison is the first solo record from GRAMMY-Award winning artist Matt Berninger of The National. Recorded with and produced by the legendary Booker T. Jones, it's a collection of deeply personal songs dripped in Booker's signature Memphis sound perfectly blended with Berninger's unmistakable baritone.

NCT’s 2nd full-length album ‘NCT - The 2nd Album RESONANCE Pt. 1’ will be released with a total of 12 tracks. With NCT's new combination of the members and various music genres, the album is already highly anticipated by their fans around the globe. The album includes 1 photobook, 1 folded poster (random 1 out of 3), 1 photo card (random 1 out of 23), one post card (random 1 out of 23). This is an official release from SM Entertainment and Caroline & will count towards Billboard and Gaon Charts.

To Whom It May Concern,

I am here to announce that my new album, Sundowner, will be out October 16th, 2020 via Dead Oceans. THE WRITING: (KANSAS CITY, KANSAS) In the winter of 2017 I moved back to my hometown of Kansas City from Los Angeles. The move was sudden and unforeseen, just as I was tying a bow on the writing process for what would become my 2019 album, Oh My God. I bought a Four Track Tascam model 424 off of an old friend to help me get to the finish line, but much to my surprise and excitement, this new piece of equipment in my all-but-bare home didn't help complete one album but rather inspire another: Sundowner. The new collection of songs came quickly and effortlessly as I did my best not to resist or refine the songs, but instead let them take shape all on their own. As the songs kept coming I cleared out the crowded shed that was sitting dormant in my backyard and built a makeshift studio before adding drums, lead guitar and piano to complete the demos. Each day I would teach myself basic recording techniques, watching the channels illuminate and pulse as if the machine were breathing, and then emerge in the evenings as the sun was getting low: - around 5:30 in the winter, when the Kansan sunsets look icy and distant, like a pink ember inside of a display case, and 9 o'clock in the summer, when the sunsets are warm and abstract. Landing back home felt jarring juxtaposed with a life full of chaos and adventure with my band on the road. But at the very least, I was happy to have - for the first time in my adulthood - a place to close the door, with no temptations other than to work on music and reflect on what I had built since I left. It was a new form of isolation, one I had never explored or expected to experience. Not ready to let go of the hand of the California desert, I spent the winter decorating the best I knew how; with mementos from my previous home, cactus and aloe vera and covering the walls in pinewood - immediately earning my house it's nickname, The Little Los Angeles. THE RECORDING: Sonic Ranch, Neve Room, Tornillo, Texas In January 2019 I contacted my friend and producer Brad Cook to help recreate what I had made in my shed. We chose to work in Texas; we wanted to make sure the record was done far away from any coastline, and in the heart of America. Brad played bass and some keys on the album, but beyond that he encouraged and inspired me to play almost everything else. All lead guitar, proper drums (save the drums on "A Night At The Little Los Angeles"), mellotron and what I believe to be the albums secret weapon - a WWII era collapsible and slightly out-of-tune pump organ - were performed by me. We did, however, bring in James Krivchenia towards the end of the session to fill out the percussion. It was an honor to work with him as he built maracas from pecans and played on the floor of the live room, adding flourish wherever he saw fit. On the last evening of the session, after everything had wrapped, we all climbed on top of an empty water tower on the property, giving us a view in all directions. To the North you could see an endless Texas, with long wisps of cirrus clouds above the desert floor, and to the South there was Mexico, the recent detention camps only a mile beyond, with large cumulus clouds hovering over, bringing us to an ominous pause. To the West, towards the setting sun, the two families of clouds merged, holding the last light of the day in purple and orange. Below, a freight train cut the landscape in half as it whistled in the distance. AFTER Almost as soon as the session wrapped, I was off and away on press trips and then proper tours for Oh My God, which came out in April that same year. Sundowner sat inside of a hard drive back at Sonic Ranch and did not see the light of day, until I found myself, as did the rest of the world, stuck inside their home and in quarantine in March 2020. My second year of touring for Oh My God was cancelled. Brad, Jerry and I worked from our respective homes, sending notes back and forth as we worked alone but together to mix the album, and suddenly, just like that, Sundowner was finished. Songs, like sunsets, are fleeting, and it's only due to a willingness and desire to catch them that you ever, if even only for a moment, grab a hold of one. When writing Sundowner, I was lucky to have had the Tascam 424 there to help capture both. Sundowner is my attempt to put the Middle American twilight - it's beauty profound, though not always immediate - into sound. It is a depiction of isolation. Of the past. Of an uncertain future. Of provisions. Of an omen. Of a dead deer. Of an icon. Of a Los Angeles themed hotel in rural Kansas. Of billowing campfires, a mermaid and a highway lined in rabbit fur. It is a depiction of the nervous feeling that comes with the sky's proud announcement that another day will be soon coming to a close as the pink light recedes and the street lamps and house lights suddenly click on. Kevin Morby, Kansas, 2020.

Vinyl LP pressing. 2020 release. One of the UK's best-selling female recording artists of all time, Katie Melua returns with Album No. 8.

Steep Canyon Rangers are Asheville, North Carolina's GRAMMY winners, perennial Billboard chart-toppers, and frequent collaborators of the renowned banjoist (and occasional comedian) Steve Martin. Since coming onto the bluegrass scene at the dawn of the millennium, Steep Canyon Rangers have been on a journey and continue to push the boundaries of the genre. Their newest work, Arm in Arm, finds the band in a unique position where their sound is much more Americana than their bluegrass origins. Produced by Brandon Bell (Zac Brown, John Prine) and featuring Oliver Wood of the Wood Brothers and Michael Bearden (music director for Michael Jackson), the Rangers continue to hone their craft with unlikely collaborators while developing a sound that is uniquely their own.

The First Edition LP is pressed on paint splatter vinyl and is limited to 1,000 copies worldwide!

2 CDs / 40 Tracks - Remastered from the analog tapes this definitive collectors edition features material which Gladys recorded in her early career between 1961 and 1965, before joining Motown. A majority of tracks were recorded for Producer Bobby Robinson's Fury and Enjoy labels, along with later material recorded for the Maxx label under the direction of Van McCoy. Includes her first hits 'Every Beat of My Heart' and 'Letter Full of Tears,' Don Covay's 'Come See About Me,' and many great early Soul classics. Includes carefully annotated liner notes; this is the most complete and best sounding retrospect of her and the Pips formative years. Sunset Blvd Records will donate $1.00 from each unit sold of Essential 1961 - 1965 to Black Lives Matter.

The third full-length from Deep Sea Diver, Impossible Weight is a work of sublime highs and mesmerizing lows, its restless intensity both unsettling and transcendent. Co-produced by bandleader Jessica Dobson and Andy D. Park, the album's lush textures and mercurial arrangements reveal the limitless imagination of Dobson’s guitar work (which she’s previously shown in playing lead guitar for Beck and The Shins) and fully illuminates the power of her vocals.